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In this quintessential Shakespeare tragedy, a young prince's halting pursuit of revenge for the murder of his father unfolds in a series of highly charged confrontations that have held audiences spellbound for nearly four centuries. Those fateful exchanges, and the anguished soliloquies that precede and follow them, probe depths of human feeling rarely sounded in any art.
The title role of Hamlet, perhaps the most demanding in all of Western drama, has provided generations of leading actors their greatest challenge. Yet all the roles in this towering drama are superbly delineated, and each of the key scenes offers actors a rare opportunity to create theatrical magic.
As if further evidence of Shakespeare's genius were needed, Hamlet is a unique pleasure to read as well as to see and hear performed. The full text of this extraordinary drama is reprinted here from an authoritative British edition complete with illuminating footnotes.
A selection of the Common Core State Standards Initiative.
- Sales Rank: #146790 in Books
- Published on: 1992-09-24
- Released on: 1992-09-24
- Format: Unabridged
- Original language: English
- Number of items: 1
- Dimensions: .40" h x 5.20" w x 8.20" l, .9 pounds
- Binding: Paperback
- 128 pages
From Library Journal
The big H comes to Penguin's great revamped "Pelican Shakespeare" line. What else do you need to know? Buy it!
Copyright 2002 Cahners Business Information, Inc.
Review
"Hapgood's careful scholarship and engaging writing throughout result in a volume that all libraries will want to own." Choice
"...[an] impressive volume..." American Theatre
"Robert Hapgood presents Hamlet, with the most extensive stage history of all. This is a massive acheivement of a book and addresses the interpretation of major and minor characters and also direction and stage design. Every actor and director must read this." Bibliotheque D'Humanisme
From the Publisher
Founded in 1906 by J.M. Dent, the Everyman Library has always tried to make the best books ever written available to the greatest number of people at the lowest possible price. Unique editorial features that help Everyman Paperback Classics stand out from the crowd include: a leading scholar or literary critic's introduction to the text, a biography of the author, a chronology of her or his life and times, a historical selection of criticism, and a concise plot summary. All books published since 1993 have also been completely restyled: all type has been reset, to offer a clarity and ease of reading unique among editions of the classics; a vibrant, full-color cover design now complements these great texts with beautiful contemporary works of art. But the best feature must be Everyman's uniquely low price. Each Everyman title offers these extensive materials at a price that competes with the most inexpensive editions on the market-but Everyman Paperbacks have durable binding, quality paper, and the highest editorial and scholarly standards.
Most helpful customer reviews
86 of 90 people found the following review helpful.
Middle aged and finally able to read Shakespeare
By Gilgamesh
I cannot more highly recommend this particular book, No Fear Shakespeare's Hamlet.
I am approaching 50 years old and my only real experience trying to read Shakespeare was in high school where we were assigned roles in class and made to read, without comprehension, Romeo and Juliet and Julius Cesar. In the interim, I tried watching a few plays and dragged my kids to see the play Taming of the Shrew, which they hated because they couldn't understand the language nor the plot. Rather than becoming a Shakespeare hater, I've always felt inadequate and dumb for this huge hole in my education.
My current inspiration to try Shakespeare again was my desire to try and help my high school aged son become more educated and cultured than I have been.
I tried first with the Folger annotated editions of Shakespeare. They look excellent and define the unfamiliar words, but I still could not make sense of a substantial portion of the dialogue. I guess maybe I'm just dumb, I don't know.
Anyway, I saw good reviews about this No Fear series, and I ordered several. So far I have read the modern English translations of Hamlet, Macbeth, Othello, King Lear, and The Tempest. While I feel a bit like I'm 'cheating', I actually have really enjoyed all the plays and at least now I know the plots and the characters and even some of the more subtle themes. I can't answer the complaints that the translations don't adequately translate Shakespeare's meanings. There are a few side notes that point out double meanings and things like that, though there are not extensive footnotes or sidenotes.
To answer those who rate these books one or two stars, my answer is that they are at least a door into the world of Shakespeare for those of us unable to navigate the originals on our own. And they only take a couple of hours to read. It's not like this is a lifetime commitment or anything. The book only costs five bucks, so why not invest a couple of hours and read it? And, for me, I liked the plays so much that I AM now going to dig out the Folger editions and read the originals, with the No Fear books available in case I get in trouble. These modalities of trying to appreciate Shakespeare are not mutually exclusive.
Well, hopefully that's helpful to someone. I wanted to write this so that people would know that these books are not just for lazy students hoping to avoid reading the originals or somehow 'cheat' in their English classes. I'm not a Shakespeare scholar or teacher and never will be, just an ordinary guy, but for me, these books were the window of opportunity that I had been searching for. Two thumbs up, most definitely.
0 of 0 people found the following review helpful.
I felt like having the students use this version was a disadvantage ...
By Andi
I am a high school teacher and this was the first "No Fear" play I've used for my English classes. Before this, I used the Folger editions. To be honest, I felt like having the students use this version was a disadvantage because they were no longer learning how to read Shakespearean language. While this does provide convenient translations--students start relying too heavily on them. In addition, the translations don't always translate every word/line; it's mostly a translation of the general meaning. Thus, again, students are not learning to really decipher the language. The Folger versions, on the other hand, give translations for specific words that students then have to plug in in order to understand the actual Shakespearean language. I'm switching back to Folgers next year. However, I'd still say that this would be fine as a companion piece for students to check their understanding, but I wouldn't use this as the only text.
26 of 27 people found the following review helpful.
Excellent critical text with helpful notes
By Holly E. Ordway
I've been teaching Hamlet using this text for about two years (four semesters) to college freshmen/sophomores in a general composition/literature class. The Ignatius edition is the best that I've used (and I've used several); I put it slightly ahead of the Folger edition. (The Folger edition does have the advantage that it includes plot summaries of scenes -- very helpful to beginning Shakespeare readers -- which the Ignatius lacks.)
The essays that are included are solid and insightful. They are particularly helpful in helping readers understand the Christian context of the play. Regardless of whether or not the reader is Christian, it's necessary to understand Christian ideas about sin, repentance, and justice in order to grasp the nuances of the play. When students are encouraged to really think deeply about these topics, they end up making connections between the events of the play and the events of their own lives -- for instance, about the struggle between desire ("I want what I want" -- just like Claudius) and reason ("I want to do what is right -- but how do I figure out what that is?" -- like Hamlet). This edition has been the most useful for me in terms of helping my students to do this kind of deep thinking.
On a practical level, I like the editor's choices about what words to gloss; to any adult reader who has read a lot of Shakespeare and other classic authors, the vocabulary glosses may seem like overkill, but it has been my experience that my 18-22-year-old students need and benefit from them.
It is helpful that the glosses are footnoted rather than end- or side-noted; this makes it easier to find them if you need them, while not being too intrusive if you don't. Visually, it's an attractive edition with plenty of white space -- important for taking marginal notes! - and the full names of characters spelled out.
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