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Oneself as Another, by Paul Ricoeur

Paul Ricoeur has been hailed as one of the most important thinkers of the century. Oneself as Another, the clearest account of his "philosophical ethics," substantiates this position and lays the groundwork for a metaphysics of morals.

Focusing on the concept of personal identity, Ricoeur develops a hermeneutics of the self that charts its epistemological path and ontological status.

  • Sales Rank: #247563 in Books
  • Published on: 1995-01-01
  • Released on: 1995-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.12 pounds
  • Binding: Paperback
  • 374 pages

From Publishers Weekly
Probing to the heart of selfhood, Ricoeur finds otherness. In this eminent thinker's theory of personhood, the self is a character-narrator of its own history, its autonomy intimately bound up with solicitude for one's neighbors and with justice for each individual. Professor emeritus at the University of Chicago, Ricoeur reads life histories as literary narratives and attempts to show how practical wisdom should flow from our intuitive moral judgments of what the good life might be like. His ethics of reciprocity and caring draws freely on the whole of Western philosophy, from Plato, Aristotle and Greek tragedy to Heidegger, language theory and John Rawls. An exciting work for specialists and advanced students, this dense, difficult treatise, which cuts across philosophy, semantics, literary theory and social science, will daunt the general reader.
Copyright 1992 Reed Business Information, Inc.

From Library Journal
The central theme here is the concept of personal identity, within which Ricoeur examines three major issues: the idea of self, of identity or sameness, and of relation to that which is not self. His intention is no less than a hermeneutics of the self, and toward this end he accomplishes much. This is not reading for the philosophical novice, but those familiar with Ricoeur's writings, or those who have a thorough understanding of the concepts employed here, will find this a rich and rewarding book. Based on Ricoeur's 1986 Gifford Lectures, this is recommended for academic libraries with comprehensive programs in philosophy.
- Terry Skeats, Bishop's Univ. Lib., Lennoxville, Quebec
Copyright 1992 Reed Business Information, Inc.

Language Notes
Text: English (translation)
Original Language: French

Most helpful customer reviews

0 of 0 people found the following review helpful.
THE SELF'S MULTI-LAYERED IDENTITY
By barryb
“SELFHOOD” has a multi-layered identity consisting of: “trait-sign-model”; motivational-base-of-attestation”; “disposition”; “phronetic-stance-of-loyalty”; & “universal-narrative-work-space”. All of these layers are discussed in detail by Ricoeur; and often, with corresponding Greek concepts.

This “multi-layered-self” has as its task: the “emplotment-of-praxis-positing”. Every aspect of this “intentionality” also gets fully addressed by Ricoeur. It has its own series of: “narrative-reference”; “evaluating-historical-possibilities”; “evaluation-of-attestation”; “dianoia-of-disposition”; & then “configured-emplotment”

This “multi-layered-emplotment” has an internal inertia of “REFLEX”. It constitutes a “folding-back” upon the “multi-layered-self” with a “multi-layered-attribution”; which could be any of the following: esteem; disteem; contingency-qualifications; & “competing-posited-projects”

In other words, this undertaking was “massive”. So do not expect easy reading or easy appropriation of his ideas. Instead, expect engagement with the text, a little additional vocabulary work; and then, ultimately; a feeling of “accomplishment”, for having gone down this road with Ricoeur. Dig in and enjoy the rewarding struggle. 5 stars for this profound thinker.

26 of 27 people found the following review helpful.
Who Am I as Another? A self.
By Charles W. Murry
Without a doubt, Paul Ricoeur's "Oneself as Another" is dense and indicative of Ricoeur's expansive familiarity with myriad philosophical trajectories and traditions, from Ordinary Language Philosophy to Phenomenology to Deconstructionism, to name a few. It is this philosophical fluency, which allows Ricoeur to articulate an extensive philosophy of the self, an inquiry into the nature of the identity of the human person. Given the sections to which my inquiry is primarily confined (Studies 5-7), it goes without saying that such a review as my own can hardly do justice to this particular other, who is Ricoeur, or to the extent of his philosophy of self. I will, however, attempt to draw out what I view as essential to these sections, which necessarily presuppose that which leads up to the current issues and anticipates future ones.

The project that Ricoeur engages in is an arduous one, though it is taken for granted in everyday language. The "I" of the person in common parlance asserts itself as one who is--an ontological and unambiguous reality as real and as given as the air that "I" breaths. Ricoeur's desire is to transcend the hegemony of "I," however, and to articulate a philosophy of self where the "I" is neither the first principle, but nor is it simply another "separate further fact." In other words, Ricoeur seeks to develop a conceptualization of selfhood that is neither the conventional exalted ego identified by Descartes, nor one which is the utterly humiliated and reduced self of deconstructionist philosophy. A self conceived in the former terms exhibits god-like status and, without the support of a trusting God to ensure one is not being deceived, that god-like status (of being an ontological reality) is ultimately all that can be conceived of as certain and a solipsistic attitude of suspicion is difficult if not impossible to avoid for all that is deemed other. A self understood in terms of the latter deconstructionist thought echoes the Nietzschean assertion regarding perspectivalism where no ontological realities are to be found. Instead, only a fabricated and utterly contingent person (if it can be called such) is present, and who really amounts to not much more than a grammatical convenience and semantic fluke. In either case meaning and value meet either a nihilistic fate or a narcissistic existence. Meaning and value, perhaps, can be construed here in terms of Ricoeur's project of hermeneutical and phenomenological descriptions of oneself as another, respectively. With regard to the two fates, I understand the latter in terms of the essential turn to the subject where the self becomes first principle, the primary datum by which and through which all other reality is "given" meaning, and the former as the deconstructionist paring away at the self until nothing remains but a series of chance, albeit intrinsically neutral, events, i.e. no self as such.

Ricoeur sees in this philosophical quagmire of self a confrontation between the concept of identity as "sameness" (Latin idem) and identity as "selfhood" (Latin ipse). When approached from a foundationalist point of view, a posited ontological self threatens the possibility of diversity within and outside of that self. Any kind of change is dangerous insomuch as it threatens the sameness which constitutes that self. Ricoeur cited for example the notion of self as understood by Locke as demonstrating such a problem. For Locke, substantial identity which corresponds to the ability to identify the self-same over time, is bound up with memory, and memory becomes substantive reflection in the moment where in the end sameness prevails. Ricoeur comments that Locke's approach marks "a conceptual reversal in which the selfhood was silently substituted for sameness" (126). When approached from the point of view of deconstruction, where no substantive self is to be found (i.e. no principle of sameness which Ricoeur will refer to as permanence in time) the self is fleeting and elusive, an epiphenomenon that is traced to physical events, brute and neutral facts, which are hermeneutically vacuous. As representative of this line of thought, Ricoeur offers the example of Hume (and later Derek Parfit) whose doubt and suspicion render the verdict that the self is an illusion. Hume only finds "a diversity of experiences and no invariable expression relative to the idea of a self" when he enters "most intimately" into himself (127).

Part of the drive for this philosophy of self for Ricoeur, then, is the desire to formulate an answer to the question of selfhood that mediates between Locke's substantive sameness, which leaves no room for alterity without destroying the self that is constituted by uninterrupted continuity, and Hume's illusory self, which Hume is unable to find upon looking for it. In objection to Hume's nihilistic analysis and conclusion, Ricoeur is quick to point out that there is, indeed, "someone who claims to be unable to find anything but a datum stripped of selfhood [heat, cold, any perception in the memory]; someone who penetrates within himself, seeks and declares to have found nothing" (128). What then drives us to impose an identity on successive sense perceptions and to "assume that we possess an invariable and uninterrupted existence during the entire course of our life" to which some kind of sameness of self can be posited? (127).

This drive to impose an identity, to ask the question "Who am I?" (regardless of the answer), is the essential hinge around which Ricoeur's philosophy of self revolves because it asserts over against ontological certainty and deconstruction emptiness an agent "who" asks. Yet, this "who" who asks is always a "who" who acts; further, this self who acts is someone recognizable, reidentifiable (either by oneself or by another), and such re-cognition and re-identification only become necessary where sameness is threatened: this threat Ricoeur identifies as time. Of this Ricoeur says: "Looking back, the greatest lacuna in our earlier studies most obviously concerns the temporal dimension of the self as well as of action as such" (113). Time is an implicit dimension in action, thus identity. But what provides that essential "permanence in time" to which the self can look to as a composite whole, a singular self, and not simply a "separate further fact"? The answer to this question involves a combination of phenomenological and hermeneutical descriptions of and prescriptions for the self and the placing of selfhood in between a dialectic of idem and ipse, that is, of sameness and selfhood. This is accomplished by positing that identity is rooted in narrative. Narrative is by definition temporal. For Ricoeur, then, personal identity, the self, "can be articulated only in the temporal dimension of human existence" (113-114). Narrative becomes the mediator between description and understanding (and eventually prescription), between idem and ipse, and between the self and the other.

Ricoeur's reliance on the phenomenological tradition is evident in the very title Oneself as Another as it is throughout the work. This phrase is not simply (or only) a reference to an analogical relationship signified by "as," between oneself and other, but an indication of the project as a phenomenological endeavor from start to finish. The "I" so common in everyday language, with its conventional tie to the Cartesian tradition is bracketed in an effort to resolve paradoxes regarding identity. The self, then, is not approached as an "I," but as an experienced self--as something that constitutes substantive appearance over time.

The self as rooted in action becomes the question of "who?" acts and how actions are always interactions. The encounter time and again with such "facts" of life (i.e. actions) acquire meaning only in the context of acquired habits and acquired identifications. That is to say, our experiences are always interpreted in the context of one's previous encounters with the phenomena corresponding to the experience. This, of course, brings oneself back to the experience of that self and points to the title's deeper phenomenological presuppositions. Just as we cannot experience a "chair" as meaningful object crafted for the purpose of sitting without prior experiences with items of this type, neither can we know ourselves except through encounters with other such phenomena--a history of encounters that teach us what a self is, hence, oneself as another.

What other philosophical approaches (and theological approaches as well) have sought is substantive reference, an ontological basis for the self where the self is the starting place, the origin, the point of departure. By introducing the narrative identity (or the temporal dimension) into the constitution of the self Ricoeur has attested that the self is something which cannot be an ontological point of origin out of which everything else is known, but is rather the destination arrived at--and still only to find that the destination is not final, but is only layover. Perhaps in theological terms, the self is the "already" and the "not yet" of the person.

The difference between person and self as implied in Ricoeur's analysis is a distinction between "what" I am and "who" I am. Ricoeur's project is in the latter, but to provide an ontological basis of the self, (i.e. to avoid a deconstructionist and nihilistic spiral into nothingness), the whatness of "who I am" (idem) must remain part of this equation of identity. It is the difference between either a meon-ontological collapse into something (vis-à-vis the deconstructionist project) or an ontological collapse into solipsistic ego (via traditional Cartesian notions of self, or better expressed in Hume and Parfit). Narrative theory provides the mediation between the descriptive actions that constitute character and the intentional self-constancy that constitutes selfhood. The person is one who is dependent upon that other for a guiding hermeneutic and is fragile insofar as authentic selfhood is contingent upon keeping one's word.

5 of 5 people found the following review helpful.
An amazing analyst
By Lazy reviewer
Ricoeur takes up the question of self-identity in this book, and probes the relationship of sameness or personal stability to selfhood or reflexive self-narration. It extends the ideas of his earlier work, especially _Time and Narrative_. Ricoeur habitually works within the traditions of phenomenology and hermeneutics, and in this book [as in many others] is occupied in doing critique of the analytic writers on action, of Kant, and of phenomenology. He generates a stance that can uncover aporias rivaling [and as far as I know, deeper than] those found by post-structuralists, while holding that the subject is not just a discursive effect and is more profoundly ethical. His critical foci seem oddly chosen, since the more obvious scholars for critique would be Heidegger and Levinas, neither of whom is really central to his argument. Perhaps he was influenced by the fact that this book is an elaboration on the Edinburgh Lectures, which might naturally focus on analytic philosophy, and perhaps he is trying, as usual, to find grounds for mediating rival traditions and retaining what is valuable in each.

Ricoeur is worth study because of his conscientious and constructive critiques. His turns of thought are persuasive, impressive, and valuable even to readers who are not professional philosophers of any stripe [such as myself]. The book is difficult but pretty accessible.

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It's A Magical World: A Calvin and Hobbes Collection, by Bill Watterson

When cartoonist Bill Watterson announced that his phenomenally popular cartoon strip would be discontinued, Calvin and Hobbes fans throughout the world went into mourning. Fans have learned to survive -- despite the absence of the boy and his tiger in the daily newspaper. It's a Magical World delivers all the satisfaction of visiting its characters once more. Calvin fans will be able to see their favorite mischief maker stir it up with his furry friend, long-suffering parents, classmate Susie Derkins, school teacher Miss Wormwood, and Rosalyn the baby-sitter. It's a Magical World includes full-color Sundays and has it all: Calvin-turned-firefly waking Hobbes with his flashlight glow; courageous Spaceman Spiff rocketing through alien galaxies as he battles Dad-turned-Bug-Being; and Calvin's always inspired snowman art. There's no better way for Watterson fans to savor again the special qualities of their favorite strip.

  • Sales Rank: #16615 in Books
  • Color: White
  • Brand: Andrews McMeel Publishing
  • Published on: 1996-09-01
  • Released on: 1996-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x .40" w x 9.00" l, 1.00 pounds
  • Binding: Paperback
  • 176 pages
Features
  • Great product!

About the Author
Bill Watterson is the creator of Calvin and Hobbes, one of the most popular and well-regarded cartoon strips of the twentieth century. Calvin and Hobbes appeared in newspapers from November 1985 until Watterson's retirement in 1995.

Online:

gocomics.com/calvinandhobbes/

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0 of 0 people found the following review helpful.
I think his book of Sunday strips would work better for this
By Robin McIntyre
We have a Calvin and Hobbes themed bathroom and were hoping to frame some of the pages to put up on the wall. I think his book of Sunday strips would work better for this.

0 of 0 people found the following review helpful.
Hilarious!!!!!
By Reader
Its funny, imaginative and awesome! The characters he comes up with are just amazing! Its like he's actually brought his stuffed tiger alive!! Lawl!

0 of 0 people found the following review helpful.
Fun Reading!
By J. Inman
I would recommend this book to any who enjoy intelligent and whimsical humor. My favorite moments have always been Calvin's snowman creations.

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  • Published on: 1709
  • Binding: Hardcover

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Physics of Planetary Interiors (Astronomy and Astrophysics Series), by V. N. Zharkov, Trubitsyn

  • Sales Rank: #3098155 in Books
  • Published on: 1978-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 6.00" w x .75" l, 1.12 pounds
  • Binding: Paperback
  • 388 pages

Language Notes
Text: English, Russian (translation)

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Rabu, 05 Juni 2013

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Answering The Three Career Questions: Your LIfetime Career Management System, by Bruce Blackstone Hazen

STOP FINDING JUST ONE-JOB-IN-A-ROW and start owning your career with this much needed and unique approach to career management. The book is packed with, assessments to help you jump into the process, exercises to tease out your thoughts and feelings and lots of stories about other peoples' career questions and how they answered them....or didn't. Already feel like you've been wandering through the last few jobs? If you're 28 - 58 years old, you've had enough experience to realize some of the less than perfect ways the market place treats talent. Why not leverage your talent and the work options you have available by managing them instead of reacting to them. Maybe it's time to move up in your profession but first you need to adapt your style of working instead of pulling the rip cord again and exiting your job when things begin to feel a little awkward. For the emerging college undergraduate or graduate student; start thinking strategically about your career now, not after you've wandered for a decade and become frustrated with the lack of plan and the mediocre jobs you're landing. There are some strategic things you can do starting tomorrow. Answering the Three Career Questions makes sure you’re asking the right questions about your career at this time. Only then can you be sure you're pursuing answers worth having. Check out the Career Tornado on p. 11 and see if you're spinning up the same conversations in your head and wasting your valuable time doing so. Each of the Three Questions has a chapter dedicated to helping you develop your strategic answer to that question. The book opens with a Quick Pre-Test to help you determine what might be the most compelling question for you at this time. Answering the Three Career Questions will stay around your office as your "flight manual" for career management. The importance of each of these questions will shift and change throughout your career and you'll want to refer to the book again and again. You will need to answer The Three Questions more than once throughout your career. It's not because you got the answer wrong the last time but because you are a dynamic talent in a dynamic market place and things change constantly. When they do, you need to revisit the questions for a fresh approach to managing your career. Be sure to check into the last chapter Leveraging Professional Associations in Your Career Management Strategy. You'll find one of the biggest professional ironies explained as well as tips for what to do about it. We all join professional associations to further our careers. But have you noticed that once you actually join in the activities of most associations, the topic of "career management" is never even mentioned much less made part of the meeting agendas or the association's services available to you. It seems like you're on your own, but now it comes with annual dues. Not anymore. Read about specific things you can do to further you career strategy by being in a professional association. The book even breaks it down to things you can do depending on which of The Three Questions you're working on. This book will leave you thinking about and managing your career in ways that are more contemporary than serial job-finding. It brings you the new physics of how careers work and how to harness the energy of your employer or clients to develop and position yourself more consciously for the next opportunity – and the one after that. Answering The Three Career Questions offers a compelling career management system of interlocking questions that act as your internal guidance system to direct your career over a lifetime - STARTING NOW.

  • Sales Rank: #1046304 in Books
  • Published on: 2013-07-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .68" w x 7.50" l, 1.14 pounds
  • Binding: Paperback
  • 298 pages

About the Author
Bruce Hazen's career, training, and experiences represent a managed process that has: • built on previous lessons and experiences • diversified skills and perceptions • stayed professionally and geographically flexible This represents a contemporary example of development and the shift from "jobs" to an emphasis on doing the "work" that is needed by organizational clients, communities, and individuals. It enables him to speak of and demonstrate principles important to the field of career management, organizational leadership, and the process of change and transition in leadership coaching. He has real and extensive professional experiences guiding his observations and recommendations about this important topic. CURRENT WORK: As a career and management consultant, Bruce combines business systems experience with his clinical understanding to address the needs of individuals, in a range of different professions, who are managing other people, organizations, and their own career development. He is the President of Three Questions Consulting in Portland, OR. He is the coauthor of the Chapter on Career Coaching in The Complete Handbook of Coaching ( Second Edition 2014) and is a contributor to Business Model You: A One-Page Method for Reinventing Your Career (2012). Bruce has a B.S. in Industrial and Labor Relations from Cornell University, with emphasis in organizational behavior and psychology. In addition, he holds a Masters Degree of Science in Clinical Psychology from California State University, San Jose, and is active within the Institute of Management Consultants (IMC) and the American Society for Training and Development (ASTD) and the Oregon Career Development Association. PERSONAL STATEMENT: Here are a couple of things that really matter to me. Speaking to large audiences and teaching are my favorite indoor sports and it's fun - for me and the audience. Focusing and accelerating organizations and other coaches in their capacity to understand and manage talent is crucial. I do it for the benefit of all involved; including the employees who are moving up, moving out or adapting their style for greater success and who are the ultimate sources of real production. The nobility of work in all its forms is my fascination. Always has been. I've watched it become a passion, a pain, an inspiration, a consolation and an obsession for many. If I can help you get it right for you or your organization at this time, I'm pleased and rewarded.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Terrific, post-Parachute guide to new laws of physics in a turbulent career universe
By Tim Clark
This is an outstanding book. The author points out that most of us fail to truly manage our careers. Instead, we "find one job in a row," approaching each new work life episode as an ad hoc transaction. But we need to replace transactions with relationships and tactics with strategy, according to the author. Most of all, he says, we need a bigger theory of the game.

Three Career Questions really shines when the author presents his "orbital mechanics" approach to career management. Avoid preparing a heroic, one-time rocket launch designed to crash-land on Planet Job (and sometimes requiring the Parachute!), he says. Instead, select a distant object in the career solar system and navigate steadily toward it, borrowing energy from planets (organizations) along the way and using the "gravity slingshot" effect to propel you forward.

Navigation, says the author, is accomplished by continuously asking and answering the Three Career Questions -- the threads that tie the methodology together.

Three Career Questions is somewhat repetitive and the writing wordy in places. But it's a terrific, post-Parachute guide to the new laws of physics in a turbulent career universe.

1 of 1 people found the following review helpful.
Clients say it's a winner!
By shopping doc
I have recommended this book to several clients now and have gotten great feedback regarding it. While I thought it was terrific as a way the think strategically about a career path, the real "proof of the pudding" is whether people who are in the midst of making career decisions find it useful. The three clients who were or are using it, have all said they found it provocative and made them think more deeply about their next steps. Oh, and it's a fun read as well. How much better could it get?

0 of 0 people found the following review helpful.
Finally--The Career Book that Needed to be Written, and Needs to be Read
By Brian ODriscoll
This is my new favorite career book and is already being woven into my career advising sessions with students and alumni of the liberal arts college whose career center I direct. Besides being for the career advisor who wants to up his or her game with clients at all levels of career sophistication, this book is one I'll strongly recommended for college students really ready to get their career off on the right foot. And it's a must-read for graduates in the workforce a few years, experiencing their first bout of Where am I going? What am I doing? What else is out here for me? I've sent several copies out to alumni clients because I'm so excited about this book and want to jumpstart our conversations after the holidays.

Paraphrasing some of the author's many suggestions: Summarize the work value you deliver in 8 words. Get out of your head and productively conversant with key people in your circle and beyond. Pay attention to these 10 pathways to professional development that you may be overlooking. Do a personal SWOT analysis that takes 5 minutes and is immediately actionable. Address your weaknesses by developing a related strength using a very simple, straightforward tactic...all great.

Decent books on how to find a job abound, but what I love about about this one is that it takes the conversation to the higher level of strategy and is as relevant for the long-employed as it is for the first-job seeker. I found myself nodding in agreement over and over as the author validated some of my own thinking, but more often than not took my strategies for effective career advising to the next level.

The book's conversational and enjoyable, intuitive and memorable--and its advice, logic, and simplicity is utterly irresistible. Just the right balance of reference to theory, case scenarios, and most importantly, concrete advice for addressing the three questions, gives the reader a guidebook that can be used over and over to keep a step ahead of the tornado of career indecision and on the road to an optimized, satisfying career. Especially if you lack a top-notch career mentor or advisor, or a workplace environment that really nurtures career development, even a few chapters of this book are well worth the investment.

The fact that it is so thorough and relevant for even the most seasoned professional makes it clear that this book is the culmination of years of practice refining and validating its ideas in the field rather than an untested set of suggestions that just sound good. I'll look forward to the sequel. (Surely there are more than 3 questions!)

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Minggu, 02 Juni 2013

[Z234.Ebook] Free PDF Star Trek Phase II: The Lost Series, by Judith Reeves-Stevens, Garfield Reeves-Stevens

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Star Trek Phase II: The Lost Series, by Judith Reeves-Stevens, Garfield Reeves-Stevens

In 1977, "Star Trek" fans shuld have been treated to a new series, "Star Trek Phase II". All the actors were signed, sets and props were designed, new models were built, scripts were written and filming was about to begin. Just two weeks before the show was to start shooting, Paramount changed tak, they wanted a motion picture instead. This book looks at these events and includes drawing board designs, blueprints, technical information, memos, sketches, photographs and original source material that has never before been seen. The entire script for the pilot episode is also included along with colour photographs of test footage filmed for the pilot. Questions such as why Spock was the only member of the original crew not to be scripted are also answered.

  • Sales Rank: #892527 in Books
  • Published on: 1997-03-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.98" h x .83" w x 8.50" l,
  • Binding: Paperback
  • 357 pages

From the Publisher

Dateline -- Paramount Pictures announces the formation of its own television network, with a new Star Trek program as its cornerstone. The year is not 1994, but 1977 and the new series titled Star Trek Phase II would have reunited almost all of The Original Series cast members. A footnote in Star Trek history, few people realize how close Star Trek Phase II came to full-scale production.

All of the actors were signed except Leonard Nimoy, whose Spock character would have been replaced by a young Vulcan, Xon. Sets and props were designed and constructed. New models, including a never seen model of the U.S.S. Enterprise, were built. A special effects company was hired, and scripts were written, including a two-hour teleplay that would have been the pilot for the series. But, the plans for the network were canceled, and Paramount decided to shift gears to feature film production, shutting down the television series -- less than two weeks before the beginning of principal photography. The result of this decision was Star Trek: The Motion Picture.

This is the story of the lost Star Trek series. Including full behind-the-series information on the show that almost-but didn't-happen. Full of never-before-seen color artwork, storyboards, blueprints, technical information and photos: Star Trek Phase II reveals the vision behind Gene Roddenberry's lost glimpse of the future.

Most helpful customer reviews

18 of 18 people found the following review helpful.
Good info
By Amazon Customer
This book contained information about the transformation from TOS to the making of "phase II", a TV series that eventually was scrapped and the pilot was morphed into ST:TMP. I found the information to be interesting, and would recommend it to any Star Trek fan, especially those of TOS.
Most interesting to me was the analyses of how the scrapped Phase II produced characters and scripts that were eventually seen on ST:TNG. Xon "became" Data, Ilia "became" Troi, and Decker=Riker is fairly obvious. Additionally, scripts like "The Child" that were written for Phase II, were later filmed for ST:TNG.
Also included is the full first draft script of the pilot for Phase II, which again morphed int ST:TMP. It's interesting to see how the drafts change and (mostly) become stronger. Furthermore,are 4-8 page descriptions of all each story that would have been in Phase IIs first season.
I do recommend this book for any Trek fan. The background information is limited, as the majority of the book is the scripts, but it is still an interesting piece of ST history.

12 of 13 people found the following review helpful.
Star Trek Phase II: The Lost Series
By Noel Ombrog
Books like these seldom hit the bookshelves here so I bought it the first time I saw it and was not disappointed. The content is interesting specially for Original Series fans. It gives you an insight into Roddenberry's vision after the first three seasons. It even includes sketches, scripts, plots, behind-the-scene info. The story-telling is a little dull. Then again, this is not a novel, so I believe an exception is in order. All-in-all, an exceptional piece of literature.

7 of 8 people found the following review helpful.
You don't need to worry, Gene.
By Wes Huntington
Rewind to 1977, when Star Trek was entering its seventh year of syndication, creator of the Original Series and the 22-episode Star Trek animated series, Gene Roddenberry, conceived of a new live Star Trek series. The show was called Star Trek Phase II, and Paramount decided to have the show on their new network. Sets and props and costumes were designed and tested. The writers also wrote a two-hour teleplay which is the pilot for Phase II. The cast almost reunited, but without Leonard Nimoy.
When principal photography almost started, Paramount decided to cancel the network and the series. Instead of having Star Wars cancel them out, they decided to have a movie instead of a pilot... thus begins the story of the lost Star Trek series. They made the first episode of Phase II, which was "In Thy Image, Parts I and II" into the first movie, "Star Trek: The Motion Picture." Several Phase II stories are in this book and the design of the never-seen-before U.S.S. Enterprise are shown. The book is 360 pages of information on the almost-but-didn't happen Star Trek series.
Hold on, Gene, there is some way to salvage the pieces of the Phase II sets. Now, fast forward to 2001-2004 where Star Trek movies are made more better on DVD. Watch the text commentary by Michael and Denise Okuda on the Original cast films, where they reveal stuff about Phase II, like what pieces were used in the six Trek films and "Nemesis." This great pair is more than you need for a Star Trek series.

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Sabtu, 01 Juni 2013

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Shuffle Blues: Blues Play-Along Volume 4, by Hal Leonard Corp.

(Blues Play-Along). For use with all Bb, Eb, Bass Clef, and C instruments, the Hal Leonard Blues Play-Along series is the ultimate jamming tool for all blues musicians. With easy-to-read lead sheets, and other split-track choices on the included CD, these first-of-a-kind packages will bring your local blues jam right into your house! Each song on the CD includes two tracks: a full stereo mix, and a split track mix with removable guitar, bass, piano, and harp parts. 8 songs: Beautician Blues * The Blues Is Alright * Bright Lights, Big City * Further on up the Road * I'm Tore Down * Let Me Love You Baby * Look at Little Sister * Rock Me Baby.

  • Sales Rank: #3088606 in Books
  • Brand: Hal Leonard
  • Published on: 2011-01-01
  • Released on: 2010-01-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x .27" w x 9.00" l, .62 pounds
  • Binding: Paperback
  • 72 pages

About the Author
Founded in 1947, Hal Leonard Corporation has become the worlds largest print music publisher, representing some of the greatest songwriters and artists of all time. We are proud to publish titles of interest to all musicians as well as music lovers, from songbooks and instructional titles to artist biographies and instrument price guides to books about the music industry and all the performing arts.

Most helpful customer reviews

2 of 3 people found the following review helpful.
It works. But shouldn't it be more than that?
By theRangel
A bunch of standards in the genre. You get the charts and the CD to play along with. Sound good right? Well play the songs and they sound stiff - esp for blues shuffle. Play it a few times and you start to go insane. The songs were rather lifeless. I found it useful for two tunes I wanted to tighten up but otherwise there are better "Play Along" volumes or go back and just play along with Jimmy Reed himself.

This feel like you're messing with the computer software "Band In A Box" except not as good. (That product is available from Amazon. Check it out.)

0 of 1 people found the following review helpful.
Five Stars
By T M
Will work for recreational playing.

See all 2 customer reviews...

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