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Zuleika Dobson, by Max Beerbohm
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This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.
- Published on: 2012-08-31
- Original language: English
- Dimensions: 10.00" h x .86" w x 7.50" l,
- Binding: Paperback
- 378 pages
From the Inside Flap
Zuleika Dobson is a highly accomplished and superbly written book whose spirit is farcical," said E. M. Forster. "It is a great work--the most consistent achievement of fantasy in our time . . .
so funny and charming, so iridescent yet so profound."
Originally published in 1911, Max Beerbohm's sparklingly wicked satire concerns the unlikely events that occur when a femme fatale briefly enters the supremely privileged, all-male domain of Judas Col-
lege, Oxford. A conjurer by profession, Zuleika Dobson can only love a man who is impervious to her considerable charms: a circumstance that proves fatal, as any number of love-smitten suitors are driven to suicide by the damsel's rejection. Laced with memorable one-liners ("Death cancels all engagements," utters the first casualty) and inspired throughout by Beerbohm's rococo imagination, this lyrical evocation of Edwardian undergraduate life at Oxford has, according to Forster, "a beauty unattainable by serious literature."
"I read Zuleika Dobson with pleasure," recalled Bertrand Russell. "It represents the Oxford that the two World Wars have destroyed with a charm that is not likely to be reproduced anywhere in the world for the next thousand years."
From the Back Cover
Originally published in 1911, Max Beerbohm's sparklingly wicked satire concerns the unlikely events that occur when a femme fatale briefly enters the supremely privileged, all-male domain of Judas College, Oxford. A conjurer by profession, Zuleika Dobson can only love a man who is impervious to her considerable charms: a circumstance that proves fatal, as any number of love-smitten suitors are driven to suicide by the damsel's rejection. Laced with memorable one-liners ("Death cancels all engagements", utters the first casualty) and inspired throughout by Beerbohm's rococo imagination, this lyrical evocation of Edwardian undergraduate life at Oxford has, according to Forster, "a beauty unattainable by serious literature".
About the Author
Sir Henry Maximilian "Max" Beerbohm (August 24, 1872 – May 20, 1956) was an English essayist, parodist and caricaturist best known today for his 1911 novel Zuleika Dobson. Beerbohm's best known works include A Christmas Garland (1912), a parody of literary styles, Seven Men (1919), which includes "Enoch Soames", the tale of a poet who makes a deal with the Devil to find out how posterity will remember him, and Zuleika Dobson (1911), his only novel.
Most helpful customer reviews
28 of 30 people found the following review helpful.
a hoot
By Orrin C. Judd
I have to admit that when the Top 100 list came out, I had never heard of this book or it's author. And yet, by itself, the revelation of this satirical baroque masterpiece justifies all the wretched dreck I've waded through on the List.
Zuleika Dobson is the beautiful young granddaughter of the Warden of Judas College at Oxford. She's been earning a living as a conjurer and is the toast of France and America. But Zuleika has never loved a man. She has determined that a woman of her superior beauty can only love a man who is so superior as to be oblivious to her charms. Thus far, there has been no such man.
Immediately on her arrival on campus, the entire student body falls madly in love with her. However, at dinner her first night the young Duke of Dorset seems indifferent. Could he be the man? Alas, it turns out that he too is smitten and when she discovers this she spurns him. Unused to such a dismissal, the Duke decides that he must kill himself & soon the whole College is ready to follow his example.
The book is a shrieking hoot from start to finish & the whole thing is rendered in an ornate prose that is wholly unique. Take this description of the Duke & his troll like flat mate Noaks:
Sensitive reader, start not at the apparition! Oxford is a plexus of anomalies.
These two youths were (odd as it may seem to you) subject to the same Statutes,
affiliated to the same College, reading for the same School; aye! and though the
one had inherited half a score of noble and castellated roofs, whose mere
repairs cost him annually thousands and thousands of pounds, and the other's
people had but one mean little square of lead, from which the fireworks of the
Crystal Palace were clearly visible every Thursday evening, in Oxford one roof
sheltered both of them. Furthermore, there was even some measure of intimacy
between them It was the Duke's whim to condescend further in the direction of
Noaks than in any other. He saw in Noaks his own foil and antithesis, and made
a point of walking up the High with him at least once in every term. Noaks, for
his part, regarded the Duke with feelings mingled of idolatry and disapproval.
The Duke's First in Mods oppressed him (who, by dint of dogged industry, had
scraped a Second) more than all the other differences between them. But the
dullard's envy of brilliant men is always assuaged by the suspicion that they
will come to a bad end. Noaks may have regarded the Duke as a rather pathetic
figure, on the whole.
Or this passage describing the suicidal yearnings of the student body:
You cannot make a man by standing a sheep on its hindlegs. But by standing a
flock of sheep in that position you can make a crowd of men. If man were not a
gregarious animal, the world might have achieved, by this time, some real
progress towards civilization. Segregate him, and he is no fool. But let him
loose among his fellows, and he is lost--he becomes just a unit in unreason. If
any one of the undergraduates had met Miss Dobson in the desert of Sahara, he
would have fallen in love with her; but not one in a thousand of them would have
wished to die because she did not love him. The Duke's was a peculiar case.
For him to fall in love was itself a violent peripety, bound to produce a
violent upheaval; and such was his pride that for his love to be unrequited
would naturally enamour him of death. these other, these quite ordinary, young
men were the victims less of Zuleika than of the Duke's example, and of one
another. A crowd, proportionately to its size, magnifies all that in its units
pertains to the emotions, and diminishes all that in them pertains to thought.
It was because these undergraduates were a crowd that their passion for Zuleika
was so intense; and it was because they were a crowd that they followed so
blindly the lead given to them. To die for Miss Dobson was 'the thing to do'.
The Duke was going to do it. The Junta was going to do it. It is a hateful
fact, but we must face the fact, that snobbishness was one of the springs to the
tragedy here chronicled.
I can't recommend this one highly enough.
23 of 24 people found the following review helpful.
A bizarre and wonderful book
By jmm38
Zuleika Dobson must be one of the strangest books ever written. Beerbohm's ornate prose cloaks a bizarre story that, while it starts innocently enough, marches toward its surreal fate with the same determination as the Oxford undergraduates it depicts.
But that isn't to say it isn't a marvelous satire. Beerbohm caricatures immature love by pitting a mysteriously alluring woman, Zuleika, who loves no man foolish enough to love her, against a pretentious nobleman known only as The Duke, who never thought himself capable of loving anyone but himself. Somehow, the author manages to tell their perverse story even as he reveals himself to be the servant of the Greek muse Clio; and the work loses nothing as it spirals into a comic fairy-tale featuring cameos by animated statues, supernatural apparitions--even Beerbohm himself!
This particular edition is (at least as of right now) my favorite. It is wonderfully printed, and the text is peppered with Beerbohm's original illustrations. He never meant to include them in the book, but they seem only fitting in a work that refuses to be categorized as a serious novel, or a typical satire, or a children's fairy-tale. Strongly recommended for serious readers with senses of humor who aren't disturbed by unexpected flights of fancy.
16 of 17 people found the following review helpful.
Beautiful and farcical at the same time
By A Customer
Beerbohm was a great caricaturist, both in words and illustration, but Zuleika was, sadly, his only novel.
The first time you read it you will weep with laughter at the farcical hilarity of the situations that Beerbohm conjures up and the way that he describes them.
The second time you read it, you will weep be entranced by the beauty of the prose.
The third time you read it, you will realise that you have acquired a true friend in the book, which will live with you forever.
I have purchased countless copies of the book because I keep giving or lending copies to people ... and this is a book that once lent, never returns.
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