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Creative Portrait Photography, by Natalie Dybisz
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Edgy, evocative portraits and unique post-processing details make this the most creative, hip portrait book available. It goes beyond the technical aspects of lighting and posing (though they are well covered) and reveals how to capture the essence of your subject's true inner self. Acclaimed photographer Natalie Dybisz offers advice on building trust, planning shoots, directing people, and using digital tools such as post-editing and compositing to create great portraits. An extensive showcase chapter presents several artists' works and methods.
- Sales Rank: #535961 in Books
- Brand: Brand: Pixiq
- Published on: 2012-05-01
- Original language: English
- Number of items: 1
- Dimensions: .51" h x 9.14" w x 9.86" l, 1.48 pounds
- Binding: Paperback
- 176 pages
- Used Book in Good Condition
About the Author
Natalie Dybisz is a London-based author better known in the photographic community as Miss Aniela, the name under which her images are published. She has become extremely renowned for shooting highly imaginative self-portraits characterized by a personal style and flamboyance. She is author of the Pixiq book Self-Portrait Photography. Visit her website missaniela.com, where you can read her blog and see her galleries of photographs.
Most helpful customer reviews
21 of 23 people found the following review helpful.
Lacking in Depth
By Alan Shi
The marketing jargon at the back of the book gives little insights into what this book really contains inside, although it certainly oversells it with the promise that it "has everything you need to transform your perspective on portrait photography". This makes it sound like the book is somehow an instructional text, when in fact, most of the book is basically a collection of blog-entry-like segments where an image or two is presented, along with some text describing the shoot and some extremely superficial notes about post processing.
First the good parts. The book begins with a series of articles about approaching portraiture, where Dybisz describes many different aspects of portrait photography, focusing a lot on the different creative considerations. For me, this was by far the best chapter in the book. There are some interesting ideas presented here, although there is not a lot of depth. I was hoping the entire book would be like this, except with more detailed discussions and more image analysis to support the text.
The bulk of the book basically contains what amounts to blog entries about particular photos in "Miss Aniela's" portfolio. You'll see a two-page spread that contains an image or two (and perhaps some 'behind the scenes' shots), as well as text that describes what Dybisz wanted to achieve, and thoughts about the shoot itself. None of this is particularly instructional, and at its best was only mildly interesting. The text about the shoot is usually followed by extremely superficial segments about post-processing.
Frankly, I thought everything written about post-processing in this book was completely useless. Nobody is going to get anything out of a sentence that tells you that a levels/curves adjustment or a hue/saturation adjustment was used. Beginners won't know what that means, and experienced Photoshop users would yawn at how obvious it would be that these basic adjustments would be used in the production of images. I found it a bit tiresome to read about two techniques that keep showing up over and over again (and equally superficially each time): HDR (via Photomatix), and compositing. Of course, you won't learn how to do these techniques in the text (and clearly it wasn't meant to), although it's kind of silly that the text even goes to the trouble of telling you that you need to bracket images for HDR, or describes basically obvious stuff about what you need to make a composite. You'll either know how to do these techniques or not before reading this text, and in either case, you won't get anything out of it.
Oddly stuck in near the end of this book is a chapter presenting images and writing from other artists. There's some background information on the photographer, and some thoughts on his/her work, and then some random stories and images from each person. This chapter felt like filler material and wasn't really joined well with any particular theme or idea.
The book closes with a chapter on growing as a photographer. This short, but useful chapter returned back to the higher content quality that the book started with. Dybisz shares useful tips and ideas ranging from studying photography, to developing a style and working with models.
In general, I'd say this was a disappointing book. Outside of the first and last chapter, the book has very little real content. If you were to read this book, after reading those two chapters, I'd recommend you just flip through the rest of it as a coffee table book.
11 of 13 people found the following review helpful.
The awesome Miss Aniela strikes back
By Aljawah Mohammad
Short Version:
This is an awesome and inspiring book with tons of great images and behind the scenes look at Natalie's work. A great purchase at a great price.
Long Version:
The book goes through the process of creating some of Natalie's recent work which is mostly fashion oriented. Skimming through her website and blog, you can get a feel of what to expect in term of images. You can also feel how Natalie matured as a photographer and writer since her last book about self portraiture. I particularly liked the chapter of Artist Showcase where some great photographers (some of which I'm familiar with) share the process behind their images. You feel that this chapter is not just another page filler but perfectly complements the rest of the book. Although some of the images rely on post processing and manipulation in Photoshop, don't expect this book to show you how it was done in PS (there are tons of other books that show you how to work in layers or do tricks in great detail). Natalie only tells you what she used and why she used it. Many of the images are accompanied by a behind the scene image or before manipulation in PS so you can see how it was created. The great thing about most of the images or Natalie's work in general is that it doesn't rely on having tons of lighting or top of the line equipment. The most important thing is to have a good concept and knowing how to put all the elements together (model, makeup, props, light, post-processing). In summary, this book is a great purchase at a great price and for sure a keeper in my photography library and I will for sure refer to it again and again for inspiration.
3 of 3 people found the following review helpful.
Don't Buy the Kindle Version
By Joe Ligammari
The images on the Kindke version are extremely low quality, they can't be viewed when enlarge to full screen on an iPad Mini. Aside from Natalie telling us she uses Photoshop, there are no other insights provided for how she goes about compositing her images. Needless to say I was very disappointed.
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